Showing posts with label Aztecs. Show all posts
Showing posts with label Aztecs. Show all posts

Wednesday, December 9, 2015

Unsung heroes in the distant past

unsung hero (n) : one who created positive change in history by improving the lives of others, and has yet to be recognized for his or her actions.
I have been wondering lately whether the phrase "unsung heroes" might be appropriate to describe the common people of the distant past. They were important for posterity, yet we don't know their names and they rarely get much credit. Historians long concentrated on kings, generals, and other important people, while archaeologists focused on tombs, temples, palaces, and pyramids. But with the development of the fields of "social history" and "household archaeology," those of us who work on the past now have methods and concepts to study  the lives of everyday people. Farmers, weavers, merchants, soldiers, builders, midwives, shopkeepers, bureaucrats -- all the people who kept society going in the distant past.

Most of my career has been dedicated to excavating the places where the Aztec common people lived and worked, and to the reconstruction of their lives and the wider society of which they were part. After decades of writing technical articles and reports (and a textbook), I decided a few years ago to try and make sense of my excavations in a way that people who are not archaeologists could understand and appreciate. I initially thought this would just involve writing in clear prose, but a writing coach and my agent convinced me that I really needed to restructure the way I write. And my rewriting and restructuring led me to re-think the story of the Aztec farmers whose lives I was reconstructing.
Aztec women making tortillas. Drawing by Kagan McLeod.

A visit to the Lowell Milken Center for Unsung Heroes in Fort Scott, Kansas, got me thinking about this concept of unsung heroes. My daughter Heather is the Director of Economic Development for the City of Fort Scott, and during a visit she took Cindy and me to the Milken Center. This is a fascinating and unique educational resource center and museum. It got its start after a National History Day project led by local high school teacher, Norm Conard, uncovered the life of Irene Sendler. Sendler, a Catholic, was a Polish social worker who saved several thousand Jewish children from the Warsaw Ghetto in World War II. Her story was almost unknown until it was discovered and documented by three Kansas high school kids working on a project with Norm. The excellent and moving book, Life in a Jar: The Irene Sendler Project, by Jack Mayer, tells the story of the Kansas project, as well as Irene Sendler's life and activities (this is a great read!).


Norm Conard won a teaching award from by the Milken Family Foundation, and conversations between Norm and Lowell Milken led to the establishment of the Lowell Milken Center for Unsung Heroes in Fort Scott. The center has exhibits on the lives of Irene Sendler and many other unsung heroes, all documented by students' history projects. The center offers fellowships, grants, and workshops for teachers and students, and promotes the study of unsung heroes. Here is their definition (from the Center's website):
unsung hero (n) : one who created positive change in history by improving the lives of others, and has yet to be recognized for his or her actions
This concept, which focuses on identifiable people form the recent past, does not precisely describe the common people of antiquity. But the idea got me thinking about those Aztec farmers in a new way, as unsung heroes of a different kind. Here is a passage from my book (At Home with the Aztecs: An Archaeologist Uncovers their Daily Life, due in early 2016):


Aztec commoners were the people who carried ancient Mesoamerican cultural traditions into the Spanish colonial period, and their descendants transmitted this tradition through the subsequent centuries. When we order tacos and beans at a Mexican restaurant today, we can thank Aztec peasants more than their noble overlords. The basic elements of Mesoamerican cuisine (and many other traits, from language to myth to house construction) have been preserved across the Spanish conquest only because the peasants continued their traditional lives and practices. Their noble overlords, in contrast, did everything they could to act like Spaniards, from eating wheat bread to speaking Spanish to riding horses. Aztec farmers and other commoners are the unsung heroes of their culture, the ones responsible for carrying it into the Spanish colonial period and on up to the present.  (chapter 1)
Lowell Milken, Norm Conard, and staff at the Center

But I think the usefulness of the unsung heroes concept goes farther than this. My Aztec peasants, for example, were heroes not just for preserving the Mesoamerican cultural past, but for doing the work to build and support their communities and their society. While they had to obey kings, contribute labor to state projects, and pay rent to noble landlords, these ancient farmers had a fair degree of autonomy and self-determination in their lives. If we find value in the Aztec or Mesoamerican past today--and I think we can--I would attribute this less to the kings and nobles and more to the common people. These were the true unsung heroes of the distant past.

(note: What got me thinking about all this tonight was a request for an interview from a student doing a National History Day project!).

Monday, August 17, 2015

Are Rural and Urban always very Different?



For most people, the terms "urban" and "rural" conjure up different kinds of places, different kinds of contexts. Urban is cities: dense populations, lots of activity, good access to markets and goods, not much green space, dirty streets. Rural is farms: open land, not many people, boring and tranquil, distant from the busy city. R. Crumb's sequence "A Short History of America" (above) exemplifies this standard view; in this case, a transition from rural beauty to urban ugliness.

But there are other ways of viewing rural and urban. Anthropologist Anthony Leeds, for example, suggested that the terms rural and urban are best used not as opposites, but rather as terms for different settings within a single society:


any society which has in it what we commonly call "towns" or "cities" is in all aspects an "urban" society, including its agricultural and extractive domains . . . the terms "urban" and "rural" come to stand to each other not as opposites and equivalents. Rather, the inclusive term describing the whole society is "urban" while the term "rural" refers only to a set of specialties of an urban society characterized by being inherently linked (under any technology known) to specific geographical spaces. (Leeds 1980:6-7)

Urban house
I like this viewpoint very much, partly because it helps make sense out of some of my archaeological findings at Aztec sites in the central Mexican state of Morelos. My first major excavation project after my Ph.D. focused on "rural" sites: small sites located far from the urban centers of the time. As I described briefly in this blog a couple of years ago, I was initially surprised to find what seemed to be "urban" traits at these sites: an active economy, many imported goods from all over Mesoamerica, complex social and ritual activities, and participation in the current widespread styles of the day. I had expected to find poor, isolated, downtrodden peasants. Instead I found wealthy, prosperous, and well-connected farmers.

So, "rural" Aztec sites had "urban" traits. I then went on to excavate at an urban Aztec site, Yautepec. My initial expectation there was that if the peasants were prosperous and successful, the urbanites would be fabulously wealthy and well-connected. But instead, the urban households were almost identical to the rural households in many respects:
  • The houses were virtually identical in materials and size
  • The basic kinds of domestic artifacts were virtually identical. Each area had its own styles of painted pottery, but everyone used obsidian blades, everyone had some fancy serving vessels, and the same kinds of domestic rituals took place in the urban and rural houses.
  • Rural and urban households all had ceramic vessels imported from several distant areas, they all had bronze tools and ornaments from the enemy Tarascan territory hundreds of miles away.
  • Rural and urban households all participated in extensive Aztec style networks in goods like ceramic vessels, ceramic figurines, and ritual implements.
  • And the kicker was that the basic population density in urban neighborhoods was very similar to the density within the ritual sites. There was quite a bit of open land within the city of Yautepec, and at least some of it was dedicated to agriculture.

From the standard view of rural and urban as opposites, these findings are simply bizarre. But from the view of Anthony Leeds, they make more sense. There is no inherent reason why urban residents could not practice agriculture, or why rural residents could not be wealthy and well-connected to the outside world.
Rural house

I am not saying that rural and urban contexts were the same in Aztec central Mexico. Yautepec had more elites running around, and there was a royal palace. Yautepec almost certainly had a tall pyramid dedicated to the patron god where victims were sacrificed periodically. There were more economic specialists in the city. But still, rural and urban life were just not all that different in this part of central Mexico.

Why was this? Well, I am out of space here and can't go into the details. But here are three quick reasons: (1) Aztec commoners in this area belonged to an organization called a calpolli that structured rural and urban life in similar ways. (2) The Aztec marketing system was extensive and efficient, bringing goods, ideas, and styles to rural as well as urban people. (3) These particular farmers (both urban and rural) had a big advantage over their cousins in other areas: they could grow cotton, which could be woven into money (literally).

I discuss Aztec rural and urban contexts in my book, Aztec City-State Capitals, and in an article with Christian Isendahl. And I provide a longer answer in my new book, At Home with the Aztecs: An Archaeologist Uncovers their Domestic  Life (due out in February 2016).



So, the next time you see some nonsense about how rural and urban  are complete opposites (as in this photo; or rather, as in the text that labels it), think about the perspective of Anthony Leeds. Rural and urban are two different sectors of an urban society. Life in thees contexts may be very different, or it may be very similar.


Isendahl, Christian and Michael E. Smith
2013    Sustainable Agrarian Urbanism: The Low-Density Cities of the Mayas and Aztecs. Cities 31: 132-143.

Leeds, Anthony
1980    Towns and Villages in Society: Hierarchies of Order and Cause. In Cities in a Larger Context, edited by T. Collins, pp. 6-33. University of Georgia Press, Athens.

Smith, Michael E.
2008    Aztec City-State Capitals. University Press of Florida, Gainesville.

2016    At Home with the Aztecs: An Archaeologist Uncovers their Domestic Life. Taylor and Francis, New York.



Friday, July 17, 2015

Can we decipher the "meaning" of ancient buildings?

Many people wonder about the "meaning" of ancient buildings and sites. Why was the Pyramid of the Sun at Teotihuacan built? Was it dedicated to a specific god? What meaning did it have to the people who built it, and those to witnessed ceremonies there for centuries afterword? I am a skeptic about talk of ancient "meanings" of this sort (see a previous post about high-level meanings.) I agree with my colleagues Kent Flannery and Joyce Marcus (1993) that this kind of religious symbolism and meaning cannot usually be deciphered without written texts that explain ancient myths and beliefs. There are no such texts from Teotihuacan, so it is unlikely that we can figure out just what this pyramid meant in ancient times. But we do have some clues. This position is explained in general terms by architectural theoretician Amos Rapoport, one of the top scholars on wide urban topics and one of my heroes.
Amos Rapoport

Rapoport developed a very useful scheme of how architecture communicates information. He identifies three levels of communication in the built environment: high-level meanings, middle-level meanings, and low-level meanings (see Rapoport 1988, 1990). High-level meanings communicate messages of symbolism, cosmology, and religion. In ancient societies, these high-level meanings are typically understood by only a small number of specialists and elites; many commoners know little of them. High-level meanings are culturally-specific; for example, Egyptian symbolism is completely different from Mayan symbolism. Today, scholars can reconstruct high-level meanings only if there are explicit written texts, or in some cases, very rich archaeological finds.

Middle-level meanings communicate messages of power, control, stability, wealth, and other positive values that rulers and elites want their subjects to receive. These meanings are more general and widespread than high-level meanings. Big buildings signal power, whether in ancient Mesopotamia or Classical Rome. Because these messages are valid across cultures (and not culturally specific), archaeologists can often interpret them from the mute remains of ancient architecture.
The Aztec Templo Mayor in Tenochtitlan

Finally, low-level meanings concern the specific ways that people interact with buildings. They provide cues for how to behave appropriately, where to enter or exit, and other messages concerning movement, privacy, accessibility, and the like.


The Coyolxauhqui stone
The birth of Hutziliopochtli
I will illustrate Rapoport's scheme with the Aztec major temple, the "Templo Mayor" in their imperial capital Tenochtitlan (today the ruins are in the middle of Mexico City). It turns out that we have a good idea of the high-level meaning of this temple, mainly because of a key find of a stone monument, coupled with written evidence of Aztec creation myths. The monument, a stone slab some 10 feet in diameter, depicts the Aztec goddess Coyolxauhqui, who has been dismembered. It was excavated in front of the main front steps of the Templo Mayor. This monument illustrates the birth of the Aztec god Huitzilopochtli, whose first action after birth was to kill his sister Coyolxauqui (yes, that sounds odd; if you want the whole story, check one of the many books on the Aztecs, such as my book, The Aztecs). We know this myth from written sources, and from some early Spanish pictures (see the illustration from Sahagun's Florentine Codex). In terms of religious symbolism (high-level meaning), the Aztec main temple was a model of Serpent Hill, where their god Huitzilopochtli was born and killed his sister Coholxauhqui. The human sacrifices that took place on top of the Templo Mayor were re-enactments of Huitzilopochtli's birth.

The middle-level meanings of the Aztec Templo Mayor were messages of power and wealth. No other Aztec city had a pyramid this big, with such sumptuous offerings. The Aztec emperors were powerful, and the city and empire were wealthy. Visitors to the city from foreign lands may not have known the myth of Huitzilopochtli's birth, but they could clearly understand the middle-level messages being sent deliberately by the Aztec emperors through their main temple. The low-level meaning of the Aztec Templo Mayor concerned access to the temple: who could approach it, who could climb the steps, and what were people expected to do when they approached the building.
Feathered serpent temple, Teotihuacan

Let's return to Teotihuacan to see if we can glean any information about high-level meanings from the main temples. We lack the myths of the Aztecs, in written and painted form. But one of the main temples, the "Feathered Serpent Temple", was covered elaborate carved images. One of the key images is the feathered serpent, a major deity at Teotihuacan. So in this case we can suggest that this temple was dedicated to a particular god. But we can't say much more than that about it's high-level meanings.

A recent discovery at the Pyramid of the Sun at Teotihuacan furnishes a clue about possible high-level meanings at this largest temple. Archaeologists have known for some time that another major god at Teotihuacan was the "Old fire god," whose stone sculptures are often excavated in houses. A very large example was excavated a couple of years ago in the Pyramid of the Sun; the photo here shows archaeologists Alejandro Sarabia and Nelly Zoe Nuñez working on this find in the lab. While we are a long way from being able to show that rituals at this temple reenacted key myths (as at the Aztec case), this find does provide a clue about the possible symbolism (high-level meaning) of the Pyramid of the Sun. So while we are not "clueless" about the ancient symbolism of this structure, we really know very little about its high-level meaning. But its middle-level meanings are much clearer, as anyone who has approached the building from the west can attest. We can understand the power and wealth and stability communicated by this building, even if we know almost nothing of the culture, language, or myths of Teotihuacan.


If you want to learn more about the three levels of communication, the place to start is with Rapoport's publications. I discuss them in several papers, and Flannery and Marcus discuss very similar ideas. There are several levels of meaning in the wide urban world, and some are more accessible to us today than others.


References:

Flannery, Kent V. and Joyce Marcus
1993    Cognitive Archaeology. Cambridge Archaeological Journal 3: 260-270.

Rapoport, Amos
1988    Levels of Meaning in the Built Environment. In Cross-Cultural Perspectives in Non Verbal Communication, edited by Fernando Poyatos, pp. 317-336. C. J. Hogrefe, Toronto.

1990    The Meaning of the Built Environment: A Nonverbal Communication Approach. rev. ed. University of Arizona Press, Tucson.

Smith, Michael E.
2007    Form and Meaning in the Earliest Cities: A New Approach to Ancient Urban Planning. Journal of Planning History 6 (1): 3-47.

2011    Empirical Urban Theory for Archaeologists. Journal of Archaeological Method and Theory 18: 167-192.

2012    The Aztecs. 3rd ed. Blackwell Publishers, Oxford.




Wednesday, October 24, 2012

Why are Aztec cities interesting?


I excavate Aztec cities for a living. At the drop of a hat I can go on and on about Aztec cities, describing all kinds of details only a few people in the world would care to hear about. I've written a book on the subject, Aztec City-State Capitals. Here, I want to discuss three things that are interesting about Aztec cities:

  1. Aztec cities were expressions of their political context.
  2. Aztec rural and urban life were remarkably similar.
  3. Urban agriculture was the norm in Aztec cities.

 

Aztec cities were expressions of their political context.


Tenochtitlan
This theme follows from my previous post, The power of the state to remake cities.  Most cities before the modern era were political capitals. This was certainly true for the Aztecs, Mayas, and other groups in Mesoamerica and the Andes. The biggest and most prosperous Aztec city--by far--was the imperial capital Tenochtitlan (now called Mexico City). Its size and opulence were direct consequences of the success of the Aztec Empire in: (1) conquering foreign peopless and getting them to pay taxes, and, (2) promoting commerce throughout Mesoamerica. Tenochtitlan is BY FAR the most extensively documented Aztec city, thanks both to a rich historical record and to the spectacular results of recent excavations at the main temple, the "Templo Mayor."

Teopanzolco (City-state capital)

But Tenochtitlan was the most atypical Aztec city. Compared to its 150,000-200,000 residents, the median Aztec city covered just one square km, with 5,000 people. These were the capitals of city-states, the dominant Aztec political form. While the empire gets all the publicity, the city-state was the active government for nearly all of the Aztec people. This is where people went to market, paid their taxes, socialized and married their spouses. The capitals of Aztec city-states reflected their small size and the limited powers of their kings. Their main pyramids were dwarfed by Tenochtitlan's Templo Mayor, their royal palace was a pale reflection of Motecuhzoma's palace in Tenochtitlan, their weekly market was a puny affair compared to the central imperial marketplace at Tlatelolco, and their level of opulence and prosperity was much lower than Tenochtitlan. But these WERE the capitals of
Acozac (City-state capital)
semi-independent governments, and their kings did have power over the local domain. So they all had some good-sized pyramids, a big public plaza, a distinctive royal palace, and other markers of urban political status.

Aztec rural and urban life were very similar


Rural house

I began my career excavating Aztec rural sites. When I started out, a fresh PhD in 1985, I expected that rural provincial sites would be poor and isolated, and that their residents would be downtrodden because they were exploited and dominated by the empire. Boy, was I wrong! I found that Aztec peasants were prosperous and successful, and their communities wealthy and resilient. I am now writing a book about these excavations. The residents had ready access to imported goods from all over Mesoamerica, they produced a steady stream of cotton textiles at home (which served as a form of money), and there were other signals of wealth and complexity. I published an article using the concept of "rural complexity" to describe my findings. In a number of ways, these rural Aztec villages were very "urban-like" in their complexity.

Then I excavated houses at an urban site, Yautepec. At first I thought that since the rural peasants had been very prosperous and well-connected, the urbanites would be fabulously wealthy and very different from their rural cousins. Wrong again! The urban households were almost impossible to
Urban house
distinguish from the rural households. Small, one-room houses built of adobe bricks were the norm in both settings. The basic domestic artifact assemblages were almost identical (same kinds of cookware, serving ware, obsidian tools, ritual items, craft objects, and so on). Each area had its own distinctive style of painted pottery, but painted bowls and jars were abundant in both settings. The same exotic imported goods were present in the middens of both contexts (bronze tools and
Serving ware, rural & urban
ornaments, greenstone beads, etc.). Surprisingly, population density was the same in both contexts (about 50 persons per hectare). So after excavating urban-looking villages, I then found a rural-looking city. Yes, the fact that Yautepec had a royal palace and some big pyramids made a difference. But for people's everyday lives, there was just not much to distinguish the rural and urban sites.
Urban fields, Tenochtitlan

Urban agriculture was the norm in Aztec cities


In every case where archaeologists have looked specifically for evidence of agricultural production within a city, they have found it. In Yautepec, people had both home gardens and irrigated fields. In Calixtlahuaca (my present excavation) and a series of Aztec cities in the Teotihuacan Valley, agricultural terraces were abundant within the city limits. Tenochtitlan, Xochimilco, Xaltocan, and other cities in and around the lakes in the Basin of Mexico all contained raised fields (chinampas) as part of the urban landscape. At Otumba, people grew maguey plants, both for their products (fiber and sap) and as stabilizers for terrace fields.
Urban fields in Zinacantepec

I have already written a post on Aztec urban agriculture, so I won't say much more here. For a more technical treatment, see Isendahl and Smith (2013).





The larger context of Aztec cities


Some of the features of Aztec cities go against the grain of both popular and scholarly thought on urbanism. Cities are supposed to be radically different places to live than the countryside. Open any urban textbook and you will read about this.  Urban agriculture is supposed to be something new and different. Well, there is a lot of variation in cities across space and time. Our current western pattern of urbanization is not the only urban trajectory, and premodern city traditions like the Aztec may be able to give us some new ideas or options to think about as we face the future of the Wide Urban World.

Isendahl, Christian, and Michael E. Smith    2013    Sustainable Agrarian Urbanism: The Low-Density Cities of the Mayas and Aztecs. Cities 30 (in press).

Matos Moctezuma, Eduardo    1988    The Great Temple of the Aztecs. Thames and Hudson, New York.

Rojas, José Luis de    2012    Tenochtitlan: Capital of the Aztec Empire. University Press of Florida, Gainesville.

Smith, Michael E.
    2008    Aztec City-State Capitals. University Press of Florida, Gainesville.

    2012    The Aztecs. 3rd ed. Blackwell Publishers, Oxford.

    n.d.    The Archaeology of Aztec Families and Communities. Book in preparation.